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The Solitary Boy
The poetry of wolves is scratched in bark and dust,
in wilderness beyond the road, beyond fences, names
and neon signs, beyond the autumn graveyard stones
and time engraved, where footprint evidence of
daylight strangers presents itself to midnight,
and a solitary boy startles the blinking night with prayer.
 
"Ramirez," he says, though there's no one there,
"the world is broken open now like a hollow stone, like
rain. I can go anywhere. My legs will take me like a train
into winter and beyond, into paradise of lipstick rooms
and trumpet smoke, laughter, shards of sunlight breaking
on my face, my paper pages curling on fire sidewalk,
songs about this single moment, single tear for you
that falls and breaks and crashes in the spoon
you held to burn the syrup of hard desire for nomad sky.
 
For you, for I, for dreams and death," he says,
and pauses to consider this, his lack of shaking now, his
even breath, the way his hands are steady, even in this cold.
"Ramirez," he says, "I can go anywhere, yes,
but all my doors are closed.
My eyes see only light and dark inside of walls.
My ears hear only certain silence, the wind,
the way it calls, the way it draws me
into circus circles, flames of perfect vision
perishing inside the rings of perfect supplication,
turning up my hands."
 
And then he stands, he turns around
as though she is behind him
in magic moonlight, in cemetery gown.
But all there is is forest shadow
and the glittering blades of time.
 
"Ramirez," he says again, sadly now,
as he gathers up his things to begin his westward trek
to another place, another city:
"The starlight has made me blind.
I will go sightless into this future, into this
broken paradise.
And all that's left to do is learn my lines
and once more change my name."
 
Then the solitary boy is gone, leaving his footprints with the others,
and only the poetry of wolves remains.

 

© 2006 Michael Stephens